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Ion, by Plato
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In Plato's Ion Socrates discusses with Ion, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shorter of Plato's dialogues.
- Sales Rank: #2755858 in Books
- Published on: 2015-08-05
- Original language: English
- Dimensions: 9.00" h x .9" w x 6.00" l,
- Binding: Paperback
- 34 pages
About the Author
Born to a politically connected and aristocratic family between 428 and 423 B.C., Plato received a good standard of education at an early age and was able to immerse himself in the intellectual community of Ancient Athens. His most notable contemporary and mentor was Socrates, an eccentric but highly capable philosopher who was to feature as a principle character in most of Plato's scholarly writings. Owing to his high standard of education in art, mathematics, rhetoric and philosophy, Plato was able to assemble a comprehensive philosophy of his own via his favoured form of writing which was the dialogue. In total, over thirty of these Platonic dialogues have survived the passage of time - and together they form the backbone of Ancient Greek philosophy. After enjoying success as a writer and academic, Plato in 385 B.C. founded The Academy. This school was to unite the most capable thinkers of Greece, and would help to advance learning throughout Greek society's Golden Age. It was in the Academy that Plato would instruct and apprentice Aristotle, who was to go on to gain renown as a philosopher and scholar. Owing to his reputation Plato was hired by Dion, whose nephew Dionysus II was the rightful ruler of Sicily - Dion wished his nephew to receive a good education in the art of sound and wise governance. However Dionysus II became suspicious and accused both Plato and Dion of conspiracy - after some time spent under arrest, Plato returned to his homeland. In his late period, Plato continued to tutor and mentor the best young minds of Athens, and he would perish around 348 B.C. having lived beyond the age of eighty. Today Plato's legacy remains lauded: the philosopher ably used logic and reason to imbue insight on democratic governance, while developing a cohesive philosophy on topics such as art, metaphysics, justice and the ‘Theory of Forms’ - his iconic take on how ideas related to reality.
Most helpful customer reviews
0 of 0 people found the following review helpful.
you will really enjoy. Likewise
By Glenn Russell
Ion is a very short Platonic dialogue between Socrates and a rhapsode by the name of Ion who specializes in reciting the poetry of Homer. The dialogue explores the nature of poetic and artistic inspiration in a most playful way. If you are interested in literature and the arts, you will really enjoy. Likewise, if you haven’t read any Plato, this is a great place to start. To offer a taste, here are a few snatches of the dialogue along with my brief reflections. Sidebar: all of my statements are, in a way, questions, not to be taken as definitive answers; scholars and philosophers have been debating the details of Plato’s thought for over 2000 years.
SOCRATES: I often envy the profession of a rhapsode, Ion; for you have always to wear fine clothes, and to look as beautiful as you can is a part of your art. Then, again, you are obliged to be continually in the company of many good poets; and especially of Homer, who is the best and most divine of them; and to understand him, and not merely learn his words by rote, is a thing greatly to be envied. ---------- A stroke of true Socratic irony. The idea of a philosopher envying someone preoccupied with wearing fine clothes and making sure they look beautiful. What a scream. And then to say such a person ‘understands’ Homer. Too much. Plato must have had fun writing this dialogue since he adjudged the philosopher beyond concern with physical appearance and ascribed ‘understanding’ to the realm of abstract, logical thinking.
SOCRATES: The gift which you possess of speaking excellently about Homer is not an art, but, as I was just saying, an inspiration; there is a divinity moving you, like that contained in the stone which Euripides calls a magnet, but which is commonly known as the stone of Heraclea. This stone not only attracts iron rings, but also imparts to them a similar power of attracting other rings; and sometimes you may see a number of pieces of iron and rings suspended from one another so as to form quite a long chain: and all of them derive their power of suspension from the original stone. In like manner the Muse first of all inspires men herself; and from these inspired persons a chain of other persons is suspended, who take the inspiration. ---------- What a crystal clear image! The divine muse is the magnetic stone and the poet is the magnetized ring pulled by the stone. And the poet inspires others in the same way: the magnetized ring magnetizes a 2nd and a 3rd ring, forming an entire chain of magnetized rings. Applying this to our site, Crime and Punishment is written by muse-inspired Dostoyevsky, the novel inspires members to write reviews and the reviews inspires comments and more readers of the novel. Thus, according to Plato, everyone in the chain is muse-inspired. How inspiring!
SOCRATES: For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles. ---------- Anybody who loves music and has developed a degree of technical expertise in playing a musical instrument knows the experience of reaching a point, a zone, where the music flows naturally beyond the boundaries of the ordinary thinking mind. When a number of musicians play together and share this inspired state – sheer magic.
SOCRATES: Then, my dear friend, can I be mistaken in saying that Ion is equally skilled in Homer and in other poets, since he himself acknowledges that the same person will be a good judge of all those who speak of the same things; and that almost all poets do speak of the same things?
ION: Why then, Socrates, do I lose attention and go to sleep and have absolutely no ideas of the least value, when any one speaks of any other poet; but when Homer is mentioned, I wake up at once and am all attention and have plenty to say?
SOCRATES: The reason, my friend, is obvious. No one can fail to see that you speak of Homer without any art or knowledge. If you were able to speak of him by rules of art, you would have been able to speak of all other poets; for poetry is a whole. ---------- What a thought-provoking line of reasoning. Applying Socrates’s logic to lovers of novels, when someone can offer penetrating insight into a novel or novels written by one author, they should be able to provide insights into any novel. I sense a fallacy here but this is such an interesting question, I wouldn’t want to spoil it with an answer.
0 of 0 people found the following review helpful.
A brief commentary on pompous actors
By M. Henderson
Socrates questions Ion, who recites the lines of Homer. Ion claims to recite and understand the meaning of Homer's poetry as part of his success. Ion is like an actor who overestimates his intelligence and ability, like one who thinks he can run a company because he plays a CEO in a movie (insert actor of choice).
This is a short dialogue. Socrates argues that Ion has no real understanding of Homer's content (Homer is the TRUE genius). The rhapsode (the one who recites) is a vehicle. Socrates attributes Ion's success to 'inspiration' from the muses or the god. Not from intelligence.
All of Plato is insightful and worth reading, but I liked Ion for two additional reasons. This dialogue is shorter than Plato's other dialogues. Unlike some, there was a clear conclusion reached here, even though is was specific and not universal.
0 of 0 people found the following review helpful.
ok
By Amazon Customer
Is ok, Cant do much better for the price, Can be a slow read at some times in the book.
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